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Unifying a diverse output : evolution of compositional process in the music of Henry Brant
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Copla de la transición : ahora te ha tocao a ti
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English reception of Felix Mendelssohn as told through British music histories
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Music as a procedural motive in the filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson
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Musical feet : the interaction of choreography and music in Leonard Bernstein and Jerome Robbins's "Fancy Free"
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Lessons from hymns : informing classical performance through audience experience and hymnody
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