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Unifying a diverse output : evolution of compositional process in the music of Henry Brant
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English reception of Felix Mendelssohn as told through British music histories
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Music as a procedural motive in the filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson
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Musical feet : the interaction of choreography and music in Leonard Bernstein and Jerome Robbins's "Fancy Free"
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Lessons from hymns : informing classical performance through audience experience and hymnody
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Global Food, World Music : Identity Formation in Consuming the Other
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Institutions and Patrons in American Opera : The Reception of Philip Glass, 1976-1992
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Music History Pedagogy in the Twenty-First Century : The Pedagogy Movement in American Musicology
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A Historical and Performance Companion to the Art Song of the 16th Century Spanish Vihuelistas With Texts and Translations
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Schubert's Incorporation and Transcendence of Recitative in German Lieder
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