Color and black and white photographs taken by John S. Kiewit from about 1968 to 2000. The images reflect what Kiewit saw on his travels throughout California and the West, as well as trips to other parts of the U.S. and the world. Prominent places and themes include Baja, barns and farms, Big Sur, buildings and building elements (doors and windows), Carmel [CA], Central Coast [CA], Channel Islands, Death Valley, fences, ghost towns, Hawaii, Hollister Ranch [CA], landscapes, Malibu [CA], Marin County [CA], New England, New Mexico, ocean views, Oregon, Oxnard [CA], rock formations, signs, surfing, trees, Utah, wildflowers, Wyoming, and Yosemite. Other countries represented in the collection include Cook Island, Costa Rica, El Salvador, England, France, Guatemala, Marques and Tahiti Islands, Mexico, Micronesia, and New Zealand. Most of the images were taken from the 1970s to the 1990s.
Also known as the Pearl Chase Collection, focusing on Santa Barbara history in the 20th century. Included are papers relating to several hundred local organizations (especially pertaining to architecture, gardens, housing, land use, and planning), as well events such as Fiesta, Chase family papers, and numerous photographs of local scenes.
Black and white photographs, most taken by Arthur London of scenes in and around Kumasi from 1909-1920. There also are photographs of the voyages to and from Africa, as well as Arthur, his wife Edith, son Arthur James Godfrey, daughter Joy, his mother, and what appear to be other family and friends in England. The last photographs, from the early 1920s, are from Australia and probably were taken by Edith or other family members.
Black and white photographs relating to the Flying A Studios (aka American Film Manufacturing Company), a film company that operated in Santa Barbara (1912-1920).
In partnership with the Graduate Division, the UC Santa Barbara Library is making available theses and dissertations produced by UCSB students. Currently included in ADRL are theses and dissertations that were originally filed electronically, starting in 2011. In future phases of ADRL, all theses and dissertations created by UCSB students may be digitized and made available.
This collection of historical imagery of areas in Los Angeles and surrounding counties dates back to the 1930s and 1940s (1927 to 1947). The Watson collection came to the Library as part of the gift from the Teledyne Foundation in 1986, and includes imagery in print and transparent film formats as well as postcard images and advertising stills. Most of the Watson aerial photography is large scale (greater than 1:10,000) and primarily covers particular locations in Los Angeles County, as well as a few locations in Orange, Riverside, San Bernardino, San Diego, Santa Barbara, and Ventura Counties.
Student newspapers from the University of California, Santa Barbara and antecedent institutions. Includes the following titles: Daily Nexus (1971-), UCSB Daily Nexus (1970-1971), El Gaucho (1934-1970), El Gauchito (Summer sessions 1935-1965), Roadrunner (1930-1934), Stray Feathers (Summer sessions 1932-1934), and The Eagle (1923-1930).
The UC Santa Barbara Library, with funding from the Institute of Museum and Library Services, Grammy Foundation and donors, has created a digital collection of more than 10,000 cylinder recordings held by the Department of Special Research Collections. This collection features all types of recordings made from the late 19th century to early 20th century, including popular songs, vaudeville acts, classical and operatic music, comedic monologues, ethnic and foreign recordings, speeches and readings. For more information, see http://cylinders.library.ucsb.edu/
The University Archives photographs collection is comprised of photographs culled from other collections in the University Archives. The dates of the photographs range from the 1890s to the present, with the majority being black and white photos from the 1920s and 1950s. The subjects covered include all aspects of the UCSB campuses and academic and student life.
