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Franz Liszt's "Harmonies poetiques et religieuses": The inspiration derived from the poetry of Alphonse de Lamartine, with an analysis of the 1853 piano cycle
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Revival and Antiquation: Modernism's Musical Pasts
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Part One: Musical form as an interaction of algorithmic and manual compositional strategies: An analysis of Curtis Roads's "Never" Part Two: A Portfolio of Compositions
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The Study of Success in Music: Applying Methods Developed by Sports Psychology towards Achieving Peak Performance
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A Call to Sexual Arms: A Biographical Context to a Dramatic and Vocal Interpretation of the Songs of Benjamin Britten and W.H. Auden
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Part One: "Blurred Gaze" for String Quartet: An Analysis; Part Two: A Portfolio of Compositions
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World Music and the Individual: the Negotiation of Cultural Capital and Identity Through Bossa Nova in the United States
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Reproducing Regional Styles: Irish Traditional Music in Milwaukee, Wisconsin
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Part One: Toward the Transcendental Structures of Music; Part Two: A Portfolio of Compositions
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Stravinsky's Concerto for Piano and Winds (1924): Metrical Displacement, Tonal Distortion and the Composer as Performer
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