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Naturalism and Libertinism in Seventeenth-Century Italian Painting
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"This Charming Symmetry of Contradictions": The Arabesque and the Emerging Bourgeois Family in Philipp Otto Runge's Fall of the Fatherland (1809)
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Through the Crystal Veil: Devotional Discipline and the Ambivalence of the Material Image on the Sacro Monte di Varallo
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