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Part One: Toward the Transcendental Structures of Music; Part Two: A Portfolio of Compositions
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Stravinsky's Concerto for Piano and Winds (1924): Metrical Displacement, Tonal Distortion and the Composer as Performer
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Maurice Ravel as Miniaturist through the Lens of Japonisme
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Franz Liszt's "Harmonies poetiques et religieuses": The inspiration derived from the poetry of Alphonse de Lamartine, with an analysis of the 1853 piano cycle
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Revival and Antiquation: Modernism's Musical Pasts
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