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The Place of the Sublime in American Art from Thomas Cole to Robert Smithson
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"This Charming Symmetry of Contradictions": The Arabesque and the Emerging Bourgeois Family in Philipp Otto Runge's Fall of the Fatherland (1809)
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Average Joes and Mean Girls: The Representation and Transformation of the Average American, 1890--1945
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How to Produce a Fantasy World: Henry Darger and American Hobby Culture
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Beautiful Painted Lies: Deception and Illusionistic Painting in the Seventeenth Century
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Life to Likeness: Painting and Spectacle au vif in the Burgundian State
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Through the Crystal Veil: Devotional Discipline and the Ambivalence of the Material Image on the Sacro Monte di Varallo
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From Gothicism to Classicism: Transnationalism and the Early Art of Frederic Leighton
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