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"Winning the Cause"---Handel's Reply to Dryden's Arguments in "Alexander's Feast" and "A Song for St. Cecilia's Day"
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Courses in Culture: The Acceptance of Music in the Late-Nineteenth-Century American University
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The Challenge of Orchestral Reductions: A Case Study of Writing a Reduction for Mozart's 5th Violin Concerto, K. 219
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The "Music of Buenos Aires": Exploring Contemporary Tango Music from a Performer's Perspective
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Part One: Musical form as an interaction of algorithmic and manual compositional strategies: An analysis of Curtis Roads's "Never" Part Two: A Portfolio of Compositions
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The Study of Success in Music: Applying Methods Developed by Sports Psychology towards Achieving Peak Performance
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A Call to Sexual Arms: A Biographical Context to a Dramatic and Vocal Interpretation of the Songs of Benjamin Britten and W.H. Auden
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Part One: "Blurred Gaze" for String Quartet: An Analysis; Part Two: A Portfolio of Compositions
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World Music and the Individual: the Negotiation of Cultural Capital and Identity Through Bossa Nova in the United States
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Reproducing Regional Styles: Irish Traditional Music in Milwaukee, Wisconsin
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